Hi everyone, Alex here — founder of Tattoo in Prague.
To give you a clear understanding of my experience and the structure of my guest work in other studios, here are the cities and countries where I’ve worked:
Germany — Nuremberg and Halle Inklabs Tattoo Studio - Nürnberg Finland — Helsinki and Turku Golden Eye Tattoo Turkey — Side Cleopatra INK Tattoo France — Nice Angel Tattoo & Piercing - Nice China Soul Tattoo Studio
Russia — Vladivostok, Moscow, Saint Petersburg, Krasnodar Vladivostok Tattoo plus, FOX BOX Moscow, Maruha st petersburg, Tattoo № 1 Krasnodar Israil inkomania_tattoo Czech Republic Black House Tattoo, Tattoo in Prague.
So why do so many guest artists from around the world come to Prague hoping to find work?
Our studio regularly receives emails from artists from different countries. As of 2025, the tattoo industry is not going through its best period. Many artists are struggling with unstable work, especially in countries like Spain, Italy, Ukraine, Greece, Russia, Korea, Mexico, Brazil — and even the Czech Republic. I’ve personally spoken with residents from many of these places.
Many artists choose Prague as their next guest city because:
At first glance, it looks promising. A huge variety of styles and locations. It feels like you can find a studio for any level — from neo-traditional to professional Japanese tattooing or ornamental work. But the illusion lies in the fact that most studios work primarily with tourists.
And tourists usually want:
This is what feeds most of the market — just like the entire tourist sector in Prague.
Now an important point.
If you’re coming with a serious style — large-scale projects, Japanese tattooing, complex long sessions — you need to understand the reality of this market.
I’ll also say something that might not be popular.
If you’re from Russia or Ukraine, you need to understand that some Czech clients, for historical and political reasons, may choose not to work with artists from these countries. You can disagree, but I’ve lived here for seven years and I see it with my own eyes. The exception is if you speak perfect Czech and are fully integrated into the local environment. My wife and daughter are Czech. I attend Czech holidays, collaborate with a Czech bar, and communicate a lot with locals. And I can honestly say: for most Czechs, a local artist is often more important than a “foreign professional.”
Communication is often more important than technical quality. Abstraction and watercolor styles are popular.
Large, complex projects are rare.
If you’re from the US or Brazil, the initial perception may be softer. Working in English allows you to focus immediately on:
This is a separate segment of the market.
Another factor is money.
The average salary in the Czech Republic is around €2,000 (approximately 50,000 CZK). When you quote 8,000–12,000 CZK for a tattoo, many clients experience sticker shock.
For comparison, in Germany — just three hours from Prague — you can charge €800–1,000 for 4-5 hours of work. In the Czech Republic, that’s difficult.
This doesn’t mean it’s impossible to work here.
It means your expectations must be realistic.
I’m not writing this to complain or to discourage anyone from coming. I’m writing the facts as I see them after seven years of living here. It doesn’t mean you won’t succeed. I’m the opposite example.
My studio is open and operating. We welcome guests without political bias or negativity — both from artists and clients.
But if you’re planning a guest spot in Prague, come with an understanding of the market — not with illusions.
Conclusion
If you think that:
Prague = wealthy clients
tourists = large-scale projects
many studios = plenty of work
— you’re mistaken.
You can work here.
You can build a studio here.
You can make money here.
But a guest spot without your own audience, without the language, and without understanding the market usually doesn’t work.
I’m not trying to discourage you.
I’m being honest.
If you come — come prepared.
And come without illusions.
Thank Alex